Black Lives Matter: What Can I Do As a Writer?

For those of you waiting for the new list of poetry competitions, writing submissions and opportunities open or with deadlines in June 2020, it will be published tomorrow. Thank you for your patience.

I’ve held it back a day for #BlackOutTuesday – to show respect for the death of George Floyd, highlight the senseless loss of black lives due to police brutality and protest the disturbing use of state force against the citizens of the US right now.

We all live in a world shaped by racism and now more than ever, we need to acknowledge and understand that Black Lives Matter. This quote from a 2014 essay by Scott Woods is particularly resonant.

In immediate response to the murder of George Floyd, here’s a great summary of direct action options from Black Lives Matter.

If you want to better understand the issues surrounding racism, the POC Online Classroom is curated by and for people of colour and has a fantastic database of reading and resources, including articles, essays and poems on everything from identity to organizing to self care with writing by Audre Lorde, Bell Hooks, Angela Davis, Langston Hughes, Marlon James, Angel Nafis and more. Here are a few relevant sections to check out:

• White supremacy & empire

• Prisons, police, and state violence

• Self care, mental health and healing for people of color and within activist movements

I’ve been thinking about how I could better educate myself and help amplify black voices within the literary community. If you feel as helpless as I do and want to know what you can do to take a stand against racism, here are some of the things I’m pledging to:

1. Make a donation – to the family of George Floyd, to Black Lives Matter, to Reclaim the Block who work to make communities like George’s safer, without police intervention, or to Minnesota Freedom Fund to help with bail funds for protesters who have been arrested. In Ireland, you can tackle racism by supporting MASI (Movement of Asylum Seekers in Ireland) or MERJ (Migrant & Ethnic-Minorities for Reproductive Justice). Petition your local TDs and councillors to end Direct Provision. If you are in the UK, check out this poem and list of resources by poet, Salena Godden.
2. Educate myself. Do the work to understand the insidious nature of racism and how it impacts on everyone’s lives. None of us are free from its impact, as Scott Woods explains above. Don’t ask black friends or colleagues to do this work for me. The information is widely available. There are lots of resources being shared under the #BlackLivesMatter hashtag on Twitter and Instagram right now. Here are a few ideas to get started:
   • How to Be an Anti-Racist, Ibram X. Kendi;
   • This Book is Anti-Racist: 20 Lessons on How to Wake Up, Take Action, and Do the Work, Tiffany Jewell;
   • Why I’m No Longer Talking to White People About Race, Reni Eddo-Lodge;
   • Me and White Supremacy, Layla F. Saad;
   • Between the World and Me, Ta-Nehesi Coates;
   • So You Want to Talk About Race, Ijeoma Oluo;
   • This thread on racism in Ireland by Dr. Justine Akase.
3. Support the work of black writers and poets. As a writer, read and share their work. Here are some great books to get started:
   • Citizen, Claudia Rankine;
   • Don’t Call Us Dead, Danez Smith;
   • Incendiary Art, Patricia Smith;
   • The Evidence of Things Not Seen, James Baldwin (pretty much anything by Baldwin);
   • White Teeth, Zadie Smith;
   • The Black Flamingo, Dean Atta;
   • Don’t Touch My Hair, Emma Dibiri;
   • This Hostel Life, Melatu Uche Okorie;
   • Correspondences: An Anthology to Call for an End to Direct Provision, ed. Stephen Rea and Jessica Traynor;
   • The Jhalak Prize is also a great reference point for recent work by British BAME writers.
4. Amplify. I actively seek out and highlight submission opportunities for Black writers, as well as other marginalised groups, in my monthly poetry list but am painfully aware how few journals and competitions make their work a priority. As an editor or publisher, please ensure your submissions policy is inclusive toward black and other marginalised groups of writers. Make space for their voices.
5. Listen. Who am I following on social media? Whose voices and experiences am I paying attention to? Am I only listening to voices and experiences that chime with my own? Break out of the echo chamber. Accept that my opinion is neither relevant nor necessary in every conversation.
6. Know that I will make mistakes. Know that those closest to me will make mistakes and some will not be interested in doing the work. Don’t dig in behind these errors. Learn from them. Apologise and pledge to do better. Continue to hold myself and others accountable for words or actions that are harmful to others. Do this with compassion.

Will you join me?

Don’t forget, when buying books, please try and support local, independent and/or black-owned bookshops. 

For some poetry to read right now, here’s a great compilation of Poems of Protest, Resistance, and Empowerment by Poetry Foundation. It includes one of my all-time favourite poems: Rosa Parks by Nikki Giovanni.

…they noticed his stutter and probably understood
why his mother wanted him out of Chicago during the summer
when school was out. Fourteen-year-old Black boys with limps
and stutters are apt to try to prove themselves in dangerous ways
when mothers aren’t around to look after them.

Rosa Parks – Nikki Giovanni

Update: Here’s a fantastic thread of poems and recommended reading by black poets from Luther X. Hughes on Twitter.

Update: Here’s a link to an Antiracist Allyship Starter Pack from Kandice Le Blanc’s post ‘Dear White People, This is What We Want You to Do’, with thanks to writer and editor Chiamaka Enyi-Amadi for sharing on FB.

Update: Here’s a link to Racial Equity Tools: Arts & Culture Strategies, with thanks to Chiamaka, as above, for sharing on FB.

Update: For those who prefer visual materials, Two Thumbs Up: Movies and Documentaries to Use (and Avoid) When Teaching Civil Rights, an article by Hasan Kwame Jeffries at Zinn Education Project, is a great run-down of good, bad and downright ugly documentaries and films covering civil rights history.

I realise this only scratches the surface of a pervasive problem and if you have any other ideas or reading recommendations, please feel free to add them in the comments section below. I’ll keep updating this post as more ideas about useful information come to me.

Featured Image: Black Lives Matter

TIMEY RYMEY: A FREE ONLINE WRITING CHALLENGE FOR POETRY DAY IRELAND 2020

‘Time is a storm in which we are all lost.’ – William Carlos Williams

‘…it’s more like a big ball of wibbly-wobbly, timey-wimey stuff.’ – The Doctor

‘There Will Be Time’ is the theme for Poetry Day Ireland 2020 and to celebrate you’re invited to become Time Lords for the day and explore the phenomenon of Time in all its glory in this FREE online writing challenge!

We are living in the eye of a global storm right now but through poetry we can write the words to change the weather, unravel the wibbly-wobbly bits or find our way home.

The rules of the challenge are simple. 

• Read the Time-themed prompts and poems.

• Listen to the Time-themed tunes.

• Write for 15 minutes.

• Share your poem in the Facebook group.

• Read and respond to other posted work.

Most of all, be creative and enjoy yourself!

how do i join the writing challenge?

Here’s what to do:

• Sign up for the FREE challenge on Eventbrite by clicking the button below.

• Join the Timey Rhymey Challenge Facebook group on 29 April.

• Get ready to enjoy a day of Timey Rhymey poetry writing fun!

What are you waiting for? Click here to sign up:

join the Timey Rhymey Poetry Day Ireland 2020 Challenge!

The group opens on the 29 April, with a welcome, introductions and time-related stuff to get you in the mood for writing.

The challenge proper kicks off on Thursday 30 April for Poetry Day Ireland 2020, with poet Angela T. Carr sharing new prompts and inspiration throughout the day.

This event is hosted in conjunction with Poetry Ireland as part of their Bright Ideas programme for Poetry Ireland Day 2020.

what’s next?

Please share the challenge on social media with the hashtags #PoetryIrelandDay #ThereWillBeTime #TimeyRhymey.

Don’t forget to tag me @adreamingskin and @poetryireland (Twitter & Instagram).

Surviving NaPoWriMo: Tips for a 30-Day Poetry Challenge

NaPoWriMo kicks off on April 1 and writers around the world will attempt to write a poem a day for 30 days. I’ve taken part in NaPoWriMo and other 30-day challenges, and I’ve also hosted them. I thought it might be useful to share some tips about how to get the most out of an intensive creative challenge.

Why Do It?

Writing is a solitary experience – we are only accountable to ourselves and that can be isolating. A 30-day challenge provides the opportunity to:

• Focus: Put your writing front and centre for a set period of time.
• Commit: Show up at the page every day.
• Establish Boundaries: Protect your writing time as an integral part of your day.
• Create a Writing Habit: It only takes 22 days to form a habit.
• Be Part of a Community: Enjoy support and encouragement around a shared experience.
• Be Surprised: At what you can accomplish in a single month!

What to Expect?

Week 1 – enthusiasm, excitement, fun – it’s a novelty and you’re full of ideas!

Week 2 – life intrudes, miss a day and it feels like failure, habit starts to slip.

Week 3 – inspiration fades, repeating yourself, overwhelm, time to push through.

Week 4 – almost there, renewed spurt of energy, rush of adrenaline, triumph!

Top TIPS for Surviving NaPoWriMo

It’s easy to become overwhelmed and burn-out when doing an intensive challenge like this, or to miss a day due to the everyday responsibilities and feel like a failure. Here are some ideas to help you make it through.

1. Go easy on yourself: NaPoWriMo is a bit of fun, not another chore. If you miss a day, start again the following day. If need to take a day to catch your breath, same. Don’t write off the whole challenge because of a couple of missed days. At the end of the month, you will still have achieved much more than you normally would or had even thought possible.
2. Manage your mindset: The challenge is derived from NaNoWriMo – National Novel Writing Month in November, where the focus is on quantity, not quality. Think of it as a 30-day scavenger hunt – you want to spark an idea, capture the essence of it and move on. Switch off your critical voice. Knowing that these are fast first drafts takes the pressure off. As Jodi Picoult says: ‘You might not write well every day but you can always edit a bad page. You can’t edit a blank page.’
3. Limit your writing time: I recommend a 15-minute free-write. It’s enough time to explore an idea or prompt but not so much that it will interfere with the rest of your day. It keeps the bar nice and low and the challenge manageable. Setting your alarm clock 15 minutes earlier or taking the time out at the end of the day isn’t too much of a hardship.
4. Use prompts: Prompts focus the mind on finding the best way to write about a subject, rather than finding something to write about. It’s one less barrier to getting started and they can startle interesting responses that, otherwise, you might never have written. There are lots of resources online for writing prompts and the official NaPoWriMo site publishes a prompt every day.
5. Join a group: Because it’s a global phenomenon, there’s so much support out there for poets during the month of April. A group provides encouragement for when the novelty wears off and you need to dig a little deeper. Check in once a day to keep yourself accountable. I recommend a ‘no critique’ environment as the work is just at the first draft stage – the focus of the group should simply be on supporting and encouraging one another in the task.
6. Don’t try to write a complete poem in a day! Poems need time to come to fruition – this is about catching an idea, getting enough down on the page to pick up again later but do try to get the complete shape of the poem if you can. You’re creating a store of potential poems to come back to and develop.
7. Manage Expectations: Not every idea will be genius and that’s OK. There is more to be gained in showing up at the page every day. It trains your mind to be receptive and open to new ideas. Think of it as a month of new beginnings, of exploration rather than achievement.
8. Don’t Cheat: If you’re working with prompts, it can be tempting to pull a poem with a similar theme out of a drawer to give yourself a day off. The problem is your brain knows you didn’t do the work, that you’ve let yourself off the hook, and – because brains like problem-solving – it immediately goes looking for other ways to bunk off, the scamp! I recommend the fifteen-minute free-write for this reason – it’s achievable, even on the busiest of days. And if you need a day off, it’s better just to acknowledge this and start fresh the next day.
9. Experiment with Poetic Form: Not every poem has to be an epic! On the days when the words are in short supply, try one of the many short poetic forms like Haiku, Cinquain, Triolet or Sonnet. Here’s a great resource of 100 Poetic Forms to play with.
10. Ego & Competition: Challenges and group dynamics can quickly bring out your competitive streak – ignore it! The only person you are competing with in writing is yourself – your last poem, your best ideas. Don’t get caught up in ego trips or mind-games.
11. To share or not to share? It’s daunting to share a first draft with a group of strangers – I leave it up to you to decide if it’s the right choice for you. Other options are to share a line or two that you like from your free-write or to simply report how you got on that day. I do think it’s important to post something every day even if you’re finding it hard to write (especially if you’re finding it hard to write). It’s a good way to check in with your writing self and reading the group’s responses to the challenge may shake something loose!
12. Read other poems: Whenever I feel stuck in my writing, I’ll pick up a collection, start to read and within minutes ideas are sparking! In order to draw from the well of inspiration, we first have to fill it. A great resource is the Poetry Foundation’s Poem a Day – sign up to their mailing list and you’ll receive a poem a day in your inbox.
13. Enjoy!

If that’s whetted your appetite, there are still a few places left in my NaPoWriMo April Write Off – a private Facebook group with prompts, daily advice, inspiration and lots of feedback and encouragement. Click the button below to sign up.

***April 2019 Challenge Now Closed***

 

Featured image by Anna Sullivan for Unsplash.

The Revival Tour: Poet Bloggers 2018

When I started this blog back in 2014, I posted fairly regularly about poetry, and writing in general, but gradually life took over and the posts slowly whittled down to the monthly competitions and submissions list.

It’s been on my mind for a while that I could be writing more here and when I saw the call-out on Twitter at the end of last year for poetry bloggers to post weekly for a year, I jumped on board (I’m sneaking this post in under the wire for Week 2)!

The Revival Tour Poet Bloggers 2018 comprises almost 100 poetry bloggers across the world, covering everything from writing, reading and reviewing poetry to interviews to writing successes and failures – anything and everything to do with writing poetry. A big thank you to Donna Vorreyer and Kelli Russell Agodon for getting the tour off the ground!

For my part, I’ll be drawing from my 10+ years of writing and submitting poetry, two years as a poetry editor, an enormous To Be Read book pile and other creative interests, including art and design. I also have a particular interest in social media and how writers present themselves online.

If you have questions about any of the above or there are other areas of poetry that you’d like to see articles about, please leave a comment below. I’d love to know what aspects of poetry you’re interested in!

In the meantime, check out the full list of The Revival Tour bloggers and discover a new favourite read.

 

#WeMadeHistory

The people of Ireland have voted YES for marriage equality — regardless of sexuality — in a public referendum, with one of the largest turnouts in voting history; we are the first country in the world to make this choice by popular vote.

I’ve never been prouder to be Irish.

The escalating momentum of #hometovote, over the past couple of days, with Irish men and women abroad pouring back into the country by train, boat and plane, to ensure their voices were heard, has been extraordinarily moving.

The public outpourings, the crowds at Dublin Castle this afternoon — both in the courtyard and bringing the streets to a standstill outside — as the results were announced, and the inevitable celebrations carrying on well into the night, signal something else: national pride and a return to joy.

Double Shot @ Books Upstairs: New Poetry Event in Dublin

This week sees the launch of Double Shot – a series of poetry readings at the new Books Upstairs premises on D’Olier Street, which pairs an emerging poet with a more established peer, to provide reading opportunities for poets who don’t often get to read in Dublin. The first of the series takes place this Wednesday, 25 February from 7pm and features Kate Quigley, Graham Allen and Jessica Traynor, who is also the event organiser.

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Poet, writer and dramaturg, Jessica is on a bit of a roll at the moment with a new position as Literary Manager at The Abbey Theatre and her debut collection, Liffey Swim, nominated for the Shine / Strong Award 2015.

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I had a quick chat with Jessica to find out more about Double Shot and her latest role at the Abbey.

Chinese Year of the Goat: Inclement by Allison Titus

To celebrate the Chinese New Year and 2015 as The Year of the Goat, I went in search of something suitably goatish to amaze and inspire, and discovered this lovely poem by Allison Titus.

Cork Spring Poetry Festival 2015: Poetry Bus Showcase

Cork Spring Poetry Festival 2015 kicks off tomorrow (12 Feb), with a fantastic line-up of local, national and international poets over 4 days. Guests include Don Share, Jo Shapcott, Lavinia Greenlaw and Peter Fallon but, as well as the big names, the festival includes debut launches from the winners of the Fool For Poetry chapbook competition, a focus on independent literary journals in Ireland – The Penny Dreadful, Poetry Bus & Southword – and the Prizegiving for the Gregory O’Donoghue International Poetry Competition, won last year by Breda Wall Ryan.

The Irish Writers’ Centre in Dublin – I’m on the Team!

I’m delighted to announce I’ll be joining the Admin. team at the Irish Writers’ Centre, in Dublin, from the beginning of February until the end of October, to assist in running the Centre and to learn about Arts Administration & Management. The Centre runs an extensive programme of writing classes across all styles and genres, literary and publishing events, along with an increased focus on professional development for writers.

The Irish Writers’ Centre is particularly dear to my heart, as it is where I took my first creative writing class in 2007, it is where I returned to focus on writing poetry, under the tutelage of Nuala Ni Dhomhnaill in 2009, where I’ve attended workshops with Dermot Bolger, Ciaran Berry, Theo Dorgan and more, where I’ve read on Culture Night, the Centre’s 20th Anniversary and Poetry Ireland’s Introductions Series as part of the Dublin Writers’ Festival, and where I’ve met and worked with my fellow Words on the Wind poets, every fortnight for the past 5 years.

I can’t wait to get started!